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1999
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Landscape
"Summer Taking Her Leave, Pre-Study"
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2001 Study drawings for “Summer Taking Her Leave” – a page from one of the artist’s bound sketchbooks. |
"Northbound"
"Hope, Sketchbook Study"
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1997
Graphite on Paper c. 5 1/2 in. high Collection of the Artist
Preliminary study for the painting “Hope” – excerpt from one of the artist’s bound sketchbooks.
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"Niagara"
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2009
Acrylic Wash, Drybrush, and Paint on Cotton Watercolor Paper 8 1/2 x 5 1/2 in.
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"Building Empires"
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“David Jay Spyker’s ‘Building Empires’, which won the second place prize, is a meticulously detailed image rendered with a quasi-Renaisannce style and palette. The viewer looks through a crumbling window, the ledge of which swarms with bugs and fruit. In the distance is a timeless city on the water’s edge, below an oddly menacing sunset. It’s a strong allegorical painting that, unlike straightforward realism, mystifies more than it clarifies.”
– Amy Sult, from an exhibition review published on Sunday, April 4, 1999 in the Kalamazoo Gazette |
1998
Acrylic on Canvas 34 x 40 in. Private Collection: Holland, Michigan
2nd Place Award, 1999, Regional Fine Arts Competition, Carnegie Center for the Arts; Three Rivers, Michigan 4th Place Award, 1999, 20th Michigan Artists’ Competition, Art Center of Battle Creek, Battle Creek, Michigan
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"The Haven (In Memory of Martin Maddox, 1954-1997)"
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2nd Place Award, 1998, 19th Michigan Artist’s Competition, Art Center of Battle Creek; Battle Creek, Michigan |
“Particularly impressive is ‘The Haven’, a piece that employs the most severe of Midwestern weather phenomena as allegory. The piece was painted in response to the passing of Spyker’s friend and mentor, Martin Maddox. It shows a simple farmhouse, windows lit but shades drawn. Its white clapboard seem to glow in the dark scenery, and it’s anchored in a field with grass that swirls like waves beneath a boiling, menacing sky that is spouting twin tornadoes. It’s hard to decide whether the occupants of the house are truly in a state of guarded safety or if the shades are drawn in a state of obliviousness to the impending danger, an uncertainty that adds an extra air of mystery and edginess to a compelling painting.”– Amy Sult, from “Regional flavor prevails in Carnegie Center competition”, published on Sunday, April 12, 1998 in the Kalamazoo Gazette |
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